Data
Description
‘Courtesan Hanazuma of the Hyogoya’ from ‘Five Beauties Rivaling Each Other in Charm’ series by Utamaro.
The ‘Kewari’(毛割) technique is fully applied to the woman’s hairlines making the beauty so natural and attractive. Also the ‘Toshi-ge’(通し毛)technique is used to produce her tousled hair on her temple. Those immaculately carved delicate lines enhance her allure.
The rebus (puzzle image) on the upper left is referencing the courtesan's name: The hairstyle ‘Hyogo-mage’ and ‘arrow (Ya)’ indicate the name of the house (Hyogoya). The ‘flower (Hana)’and ‘pine leaves (Matsu)’ indicate the name of the courtesan (Hanazuma). The pine branch has been depicted upside-down, so instead of reading 'matsu', this is reversed to 'zuma')
The letter she is reading seems to be a romantic missive, and includes references from Utamaro himself.
Any comment is welcome! (S.I.)
Other prints in this set
- Utamaro Beauties (set of 36)
- Obvious Love
- Ide no Tamagawa
- Akashi of the Tamaya
- Hanazuma of the Hyōgoya House
- Tatsumi Rokō
- Hitomoto of the Monji-rō
- Tōi no Tamagawa
- The Widow of Asahiya
- Courtesan from Matsuba House
- Painting the Eyebrows
- Reflective Love
- Sudare
- Misayama from Chōjiya
- Beauty Relaxing After a Bath
- Woman applying Makeup
- Takigawa of the Ogiya Teahouse
- The Face of Osan
- Kisegawa of the Matsubaya
- Oseyo from Hiranoya
- Beauty Holding Paper
- Woman with Comb
- Courtesan Smoking a Pipe
- Suminoe at Shiba
- Moatside Prostitute
- Teppō
- Portrait of a Courtesan
- Hanaōgi of the Ōgiya
- Karagoto of the Brothel House Chōji-ya
- Daydreaming
- High-Ranking Courtesan
- Geisha
- Kasugano of the Tamaya
- Autumn Moon after the Bath
- Portrait of Abura-ya Osome
- Takashima Ohisa
- Kiri no Musume