Data
Description
Together with Part 2 (accession number 00017 in the Mokuhankan Collection), this collection follows the history of ukiyo-e in reproduced prints by Takamizawa. The two sets are in rough chronological order and follow different techniques through history, starting with sumizuri-e, moving through tan-e, urushi-e, beni-e, and so on.
This set is the first of the two, but ours is ‘broken’; we're missing #14, and prints #11 and #22 are ‘substitute’ prints from what is described on the index page. Takamizawa must have run out of a couple of the prints in the set, and just put something else in for replacements... Maybe there was a note for the original purchaser, but if so, that has been lost...
While the works of several famous ukiyo-e artists such as Shunshō and Harunobu are featured in the set, many lesser-known prints are also included.
Takamizawa was noted for their attempts to make their prints have the appearance of ‘aged’ prints - furubi, and we can see this characteristic in many of the prints in the two sets.
Prints in this set
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Niōmon Gate -
Standing Courtesan -
Teika Descending East -
Leading Kabuki Actors -
Eguchi and Saigyō -
Puppeteer -
Lady Playing Shamisen -
Autumn Breeze -
Beauty under the Flowers -
Playing with a Kemari Ball -
Six Women Relaxing -
Beauties and a Plum Tree -
Admiring Plum Blossoms at Night -
Banquet at Hinkai -
Actor Iwai Hanshirō -
Actor Ichikawa Benzō -
Pleasure Quarter at Fukagawa -
Beauty in Long Undergarment -
Nakamura Sukegorō and Ōtani Hiroji -
Rehearsal -
Sawamura Sōjurō -
Perspective View of Shin Yoshiwara -
Woman in a Black Gauze Hood -
Ōgiya Tsukasa -
Minami Jūni Kō: The Ninth Month -
Breeze on the Riverbank -
Deeply Hidden Love -
The Lovers Chubei and Umekawa