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Description ...
Together with Part 2 (accession number 00017 in the Mokuhankan Collection), this collection follows the history of ukiyo-e in reproduced prints by Takamizawa. The two sets are in rough chronological order and follow different techniques through history, starting with sumizuri-e, moving through tan-e, urushi-e, beni-e, and so on.
This set is the first of the two, but ours is ‘broken’; we're missing #14, and prints #11 and #22 are ‘substitute’ prints from what is described on the index page. Takamizawa must have run out of a couple of the prints in the set, and just put something else in for replacements... Maybe there was a note for the original purchaser, but if so, that has been lost...
While the works of several famous ukiyo-e artists such as Shunshō and Harunobu are featured in the set, many lesser-known prints are also included.
Takamizawa was noted for their attempts to make their prints have the appearance of ‘aged’ prints - furubi, and we can see this characteristic in many of the prints in the two sets.
Prints in this set ...
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Niōmon Gate
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Standing Courtesan
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Teika Descending East
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Leading Kabuki Actors
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Eguchi and Saigyō
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Puppeteer
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Lady Playing Shamisen
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Autumn Breeze
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Beauty under the Flowers
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Playing with a Kemari Ball
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Six Women Relaxing
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Beauties and a Plum Tree
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Admiring Plum Blossoms at Night
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Banquet at Hinkai
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Actor Iwai Hanshirō
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Actor Ichikawa Benzō
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Pleasure Quarter at Fukagawa
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Beauty in Long Undergarment
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Nakamura Sukegorō and Ōtani Hiroji
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Rehearsal
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Sawamura Sōjurō
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Perspective View of Shin Yoshiwara
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Woman in a Black Gauze Hood
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Ōgiya Tsukasa
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Minami Jūni Kō: The Ninth Month
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Breeze on the Riverbank
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Deeply Hidden Love
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The Lovers Chubei and Umekawa

