Designer: Tsuchimochi Shinji | Publisher: Miyakodori Publishing | Date: 2019

Paper size: 36cm by 25.5cm | Enlargement | Currency: $ / £ / €

Price: $ 300.00£ 240.00€ 269.00 [Reprinting]

Description: This design is the first in a new movement in woodblock printmaking. It depicts a modern scene of the Ginza neighborhood in Tokyo on a rainy night. Following in the footsteps of Shin-hanga designers of the early 1900s, the young publisher Takashi Kashiwagi has sought to reinvigorate the mokuhanga world with a new concept. He has entitled it 'Reiwa Shin-hanga', taking his cue from the name of the new era that began in 2019 with the accession of a new emperor.

He worked with designer Shinji Tsuchimochi, who has been creating Tokyo landscape scenes for years. This is the first of Tsuchimochi's designs to be turned into a woodblock print.

The carving on this print is an interesting story. In the tradition of publishers of old Shin-hanga prints, who were not afraid to use new technologies to make beautiful prints, Kashiwagi-san has done something new as well. In the early days of the shin-hanga the famous Yoshida family pioneered a method of creating metal key blocks for their complex prints, and nearly all of their work over the years was produced this way - with a metal key block created by photo-mechanical methods from the designer's drawing, paired with cherry blocks for the colours. This system gave them exact replication of the designer's drawn lines, without interpretation by a carver. For these new Reiwa Shin-hanga prints, an updated version of that system has been used, with the outlines being cut by an industrial laser engraver, and the wider clearing being done by hand.

The publisher's name Miyakodori (都鳥 - Bird of the Capital) also has a backstory. Kashiwagi-san's great-grandfather ran a teahouse on the Sumida River in Tokyo, where he also worked as a printer for Ukiyo-e and Shin-hanga prints about a century ago. That teahouse was named Miyakodori, and Kashiwagi-san wanted to invoke the memory of his great-grandfather as he embarks on his own printmaking venture 100 years later.

Note: there seems to be some confusion in the marketplace - based on unclear wording on some Japanese websites that discuss the Miyakodori prints - that this is a 'limited edition' of only 50 prints. It is not. Miyakodori commissioned Yamamoto-san the printer to do a first batch of 50 sheets, but once those are sold, more will of course be made. None of these prints are numbered in any way.

The color layering on this is so intense, that the print could almost be displayed looking from the reverse side!

Here you can see the title of the series this print belongs to ('Tokyo Nights') as well as the print's name. (More designs in the series are in preparation ...)

In the bottom right of the print are the names of the artist (Tsuchimochi Shinji), carver (Kashiwagi, by way of laser cutting machine), and the printer (Yamamoto Shun).